SASHA SINGER-WILSON

Sasha Singer-Wilson
(she/her) I am a Tkaronto based multidisciplinary performing artist, scholar and facilitator of Lithuanian, Italian, British, and Irish ancestry. My work explores climate justice, climate emotions, decolonization, caregiving, ritual, land connection, intergenerational relationships, and the voice.
I co-ran the artist-driven performance company the blood projects with Lou Jurgens from 2009-2017, co-creating immersive, site-specific performances in intimate spaces. I have made performances in basements, alleyways, bathrooms, schools, theatres, lofts and online, and have worked with Theatre Direct, Next Stage Theatre Festival, The Centre for Indigenous Theatre, The Arts Club, Soulpepper, Jumblies, Brave New Play Rites, Convergence Theatre, Theatre Passe Muraille, Theatre Gargantua, Pleiades Theatre, One Yellow Rabbit, SummerWorks, and Playwright’s Theatre Centre.
Currently working on a research-creation PhD in Theatre & Performance Studies at York University, my research explores caregiving in climate collapse/polycrisis; performance as a place to imagine and rehearse emergent liberatory futures; settler-Indigenous collaboration; and decolonization in pedagogy, scholarship, and creation. I’m a Graduate Research Associate at Sensorium: Centre for Digital Arts and Technology.
With a BFA in Acting from York and an MFA in Theatre and Creative Writing from UBC, I teach Voice and Speech at The Centre for Indigenous Theatre and York, and have facilitated across so-called Canada.
Recently, I performed a grief ritual co-created with Shira Leuchter about living and mothering in the polycrisis at FADO Performance Art Centre, and was a co-facilitator on Unspoken Futures with Dr. Magdalena Kazubowski-Houston and Lisa Marie DiLiberto. I am currently dramaturging Tai Amy Grauman's play Rose and James: A Scottish Metis Love Story.
Coming up, I'm facilitating creative writing practice at Big Heart Dance Camp (June 21, 2026) and hosting a LongTable discussion exploring caregiving as lived experience and structural condition as part of Curating the Village: Open Sessions (June 27, 2026). I write an occasional newsletter, host community-driven writing circles, and explore collective land-tending at Black River Farm and Wilderness.
Thank you for being here. Please say hi.
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